This Is The Land Of Lost Content
This Is The Land Of Lost Content
Men don`t seem to want the content is an observation that could be applied generally to the 20th century and all other of their supposed epochs of ascendancy upon the Earth while the 21st century was heralded on September 11, 2001, by the Al Qaeda terrorist group, Al Qaeda, operating out of Afghanistan, which was then in the grip of the misogynist Taliban regime in Kabul, hijacking civil airliners to crash them into the Twin Towers of the World Trade Center in New York city, because they didn`t want the content. The WTC was chosen because of what it represented, `rough trade`, that is, homosexuality in pederasty and war, which had been the model for civilization, culture and art since the ancient Greeks institutionalized host womb slavery for women and homosexuality in pederasty to spread their contagion of war and conquest as the power of the West began to grow. In the East the origins of the city of Babylon (c. 4000 B.C.) are attributed in the Bible to `a woman` enslaved in the same way, `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) The typical approach to content is narrated by Homer in his Iliad (760-10 B.C.) where a huge hollow wooden horse is left outside the gates of the city of Troy where the Trojans take it in to where the Greeks emerge to enslave the host wombs of women in institutionalized homosexuality in pederasty and war to spread their contagion of war and conquest further, that is, men didn`t want the content:
`And the dragon stood in front of the woman who was about to give birth, so that when she did give birth he might devour her child.` (Rev: 12. 4)
In the Bible the dragon is the serpent, Satan, who was the angel in the paradise of Eden transformed into a serpent by God for refusing to accept that the human host would be greater than the angelic. Satan tempts Eve to `eat of the fruit of the tree of the knowledge of good and evil`, that is, death in homosexuality in pederasty and war, and God expels Eve, the first woman, and Adam the first man, for rejecting the `fruit of the tree of live`, which is immortality, although Adam ill labor and Eve will have labor pain before Redemption, which will be fulfilled in the birth of Jesus Christ, born uncontaminated by male semen from his mother, the Virgin Mary, who nailed upon a cross of wood as a `dissident`, by the agents of the Roman Empire then possessing Jewish Palestine, died but had Resurrection and Ascension to heaven, because he was `woman`s seed` foretold in Eden to Eve by God, `You shall crush the head of the serpent with your foot, although he will bruise your heel.` (Gen: 3. 15) Eve`s `foot` is the futanarian human species of women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers for socio-economic progress and technological liberation independent of men`s slavery for homosexuality in pederasty and war:
`Into my heart on air that kills
From yon far country blows:
What are those blue remembered hills,
What spires, what farms are those?
That is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again.`1
English poet A. E. Houseman`s 1896 poem, `A Shropshire Lad`, precedes the war (19-14-18) between the German Empire and the rest of Europe and the world and the scenario was repeated in the war (1939-45) between Germany and the rest of the world in which the `chosen people` of the Bible were concentrated in death camps where they could be exterminated by the Germans because they didn`t want the content. Because it`s only possible for a Jew to be born from a woman, women are Jews, and God`s futanarian `foot` is the `chosen people` of the Bible that men didn`t want, that is, they didn`t want the content. Consequently, the history of the teaching of the Bible lacks content, because God`s `foot` is absent from the preachers` sermons as men don`t want `woman`s seed`, `This is the land of lost content.` (l. 5-6) When the Jews left slavery in Egypt for God`s `Promised Land`, Islam was yet to develop as a religion after the birth of Jesus, but the beginnings, like Israel`s, are in ancient Egyptian history, where `Ka` and `Ba` mean `spirit` and `soul`. The lineage that founded Israel was Isaac`s who was the son of Sara by Abraham. Sara gave Hajer, an Egyptian women, to Abraham, because she was barren thereafter, and Hajer produced a son, Ishmael, whose lineage founded Islam through the Koran (610-30 C.E.), dictated by the angels of God to the Prophet Mohamed, according to tradition, and who built the `Ka Ba` or temple of Abraham in Mecca, Saudi Arabia, to which Moslems pilgrimage each year in celebration of Hajer`s breaking of the taboo against polygamy, and so the journey is called `Haj`. Consequently, the `land of lost content` contains `woman`s seed`, which men of the West don`t want, although the four wife marriages of Islam afford the possibility of sexual reproduction within the family between futanarian women with their own penis` semen, that is, God`s `foot` can be raised there, whereas Western societies deny the possibility to women and so democracy there is a male brained fiction. In the Bosnian war (1992-5) Serb Christians set up rape camps to male brain a generation of Moslem women because Christianity doesn`t want `woman`s seed` as the content of the Bible isn`t the Satanism that they want to perpetuate.
Although the `Ka Ba` of the Moslem temple of Abraham in Mecca, Saudi Arabia, isn`t understood in the West, `Ka` means woman`s spirit and `Ba` means her soul, which is trapped in male braining so that the desire of the woman`s penis for the woman is transposed into the biological urge of the parasite for the host womb. Emerging therefrom the devouring parasite kills and eats her in its wars against the civilization, culture and art that women are still able to produce from their host wombs despite the parasites` depredations upon the human futanarian species of woman with her own penis` semen for sexual reproduction and independence from enslavement. The enslaving alien virus inveigled itself eons ago into her womb, and is described in the Bible as the acceptance of the serpent`s offer of power by Eve and Adam, `You shall be as gods.` (Gen: 3. 5) Men`s power is host womb slavery in parasitism, and so futanarian humanity was killed by the alien pogromers, who`re still engaged in engineering the extinction of the human race in racism, which is being directed by a collective mind alien to life. Describable as the `serpent`s seed`, the alien collectivity is anathema to `woman`s seed`, and identifiable as Satanism, but espoused by Christianity.
English literature depicts the socio-historical phenomenon of the woman as the human futanarian species` representative invaded by the demon, men, because `woman`s seed` has been cut out of the plot of almost every work of literature since the written word began to be recorded. Apart from overtly science fictional works, like feminist writer, Joanna Russ`s The Female Man (1974), the absence of the woman`s penis from the scene is demonstrably engineered by men of the `serpent`s seed`. During the period of what is known as Elizabethan stage drama, because Elizabeth I (1533-1603) of England was the patron of William Shakespeare, women were excluded from performing on stage as actresses and all of the parts were played by men. Often centered around episodes involving cross-dressing with women pretending to be men or vice versa, the scenes bizarrely featured only men anyway. Although the 20th century derided the notion of men dressing as women as transvestism or `TV`, without `woman`s seed` every woman was a man wearing woman`s clothes, because her brain was male. Consequently, the transvestism emphasized in the plays of Shakespeare was an early form of `TV` which, by the late 20th century, had become the mass media form of entertainment as television or `TV` for transvestites in male braining.
Having invented the medium of `TV`, men developed the car as the petrol driven mobile television set in which the viewer sat and pedaled while turning a wheel so that more of `TV` land could be scene. Although the Nazis driving of the `chosen people` of human futanarian `woman`s seed` to the death camp pogroms in livestock trains and cattle trucks, where the dead bodies were burned in ovens built specifically for that purpose, was called the `Final Solution`, no one remembered the first solution, because they`d been made brainless by the `serpent`s seed` of men`s enslaving of the host wombs of the human race of women for homosexuality in pederasty and war. The initial solution of the `serpent`s seed` was to remove the human penis` semen so that the human species would be brainless and then men would have the `Ka` to drive, that is, the human spirit of the futanarian human race of women, trapped in the bodies of the demons that are men, would be the `Ka` of the trapped women`s spirit experiencing the torment of her `Ba` soul. The body of the woman, without her own penis, enslaved in Satanism, because stolen by men`s viral life form, inveigling itself into her host womb eons ago, would experience parasitism in homosexuality and pederasty`s devouring wars against her human race. Living in terror of the brainless trunk that drank her blood in the `TV` news reports of the vampire`s latest activities, women would be driven by the demons of the car to a bar amongst those of their imprisonment, where they`d sit with their torturers and drink alcohol in celebration of the greater unconscious trunk that was to come:
`He will rule them with an iron scepter; shattering them like clay pots.' (Rev: 2. 27)
Although the `clay pots` are a metaphor for the evil men that God punishes with unendurable eternal pain, that is, perdition, before God gives humanity the new heaven and Earth promised after judgement upon the `serpent`s seed` in Satanism, the contents of the bodies of the men are the `Ka` or `spirit` of the women trapped, which is why God`s punishment upon evil men is so severe: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) Men`s pains and their sores are the incurable killer disease of the late 20th century HIV/AIDS virus spread by mixing blood, shit and semen in each others` anuses as the `biological warfare` waged against `woman`s seed`, that is, the women kept in fearful faithfulness to enslaving monogamy by the HIV/AIDS virus. Women`s `Ka` spirit trapped in men`s bodies, and `Ba` soul kept in enslaving bodily empathy to the parasite`s trapping of their spirit within its bodies, by its simple methodology of inveigling itself into the human species of women`s host wombs eons ago to steal her penis` semen, is killed by the `serpent`s seed` of homosexuality in pederasty injecting its contaminated semen into each others` and her anus in order to torture the `Ka` spirit and `Ba` soul of humanity more before death, because evil men don`t want the contents, which is why they`re devourers of humanity in vampirism and parasitism.
Although the vampire is a creature of Eastern European legend popularized by Bram Stoker in his Dracula (1897) novel, the idea of a human made immortal by drinking blood relates directly to the Christian tradition of Redemption. As the human host at the `Last Supper`, Jesus gave `bread and wine`, as symbols of his `body and blood`, to his disciples, but Judas Iscariot was the disciple that betrayed Jesus as a `dissident` of the Roman Empire, and so betrayed the human host. Jesus uncontaminated by male semen from his mother, the Virgin Mary, represented the opposition to male braining from women`s futanarian humanity and God`s promise of Resurrection and Ascension to heaven of a human host greater than the angelic host born from `woman`s seed`. Consequently, Judas was a vampire upon the human host of God`s futanarian species of women upon the Earth, because he symbolically drank Jesus` blood and rejected the body of the human host when he gave Jesus over to the crucifixion.
In the vampire legend the penis is transposed into the wooden stake that is placed into the heart of the vampire to kill it, because the vampire is immortal, whereas the stake in the heart of the woman is consequently her own, because it`s her penis. The vampire is immortal, because it has a host womb as a parasite, and as long as it has a host womb its parasitism is immortal, although individuals die. Christianity is the belief that the parasite won`t be immortal because it won`t have a host womb. Jesus represented the human `seed` uncontaminated by the parasite, and so immortality for the human futanarian species of women with their own penis` semen and host womb without parasitism. Usually the male vampire is depicted as a pimp with many whores who are obedient, after he`s drunk their blood and conferred immortality upon them. It`s a symbolic depiction of women`s acceptance of the parasite in male braining, that is, she becomes a host womb for homosexuality in pederasty and war, which is why vampires are generally depicted as sexless or neutral in fiction, although Hollywood, Babylon, movies generate a degree of erotic interest in the viewer largely incommensurate with the myth.
Hollywood, Babylon, is a promoter of the legend of the parasite in movies like Dracula (1992) often starring actor, Christopher Lee, and TV series like Buffy The Vampire Slayer (1997-2003) starring actress, Sarah Michelle Gellar. However, it was the `Hays code` (1930-67) imposed by Will Hays, President of the Motion Picture Producers and Distributors of America (MPPDA), preventing a woman`s `foot` from being `raised` in bedroom scenes in movies that established the basis for women`s decapitation as a brainless species without penis` semen of their own, because the absence of God`s `foot`, that is, the futanarian human women`s penis` semen from the world of film and mass media entertainment was a beheading of the human race, which is a method of killing vampires other than the wooden stake in the heart, but that more properly applies to what men are as the male braining parasite trapping the spirit of the woman in their bodies after inveigling their way into the host womb of the human species as a viral life form to steal its penis and semen. In short, men are the vampire that must be beheaded unless the evil `serpent`s seed` can be made to convert from their sin and accept Redemption from their sin of slavery in host womb parasitism for homosexuality in pederasty and war against the human race. Then humanity can sexually reproduce its own brains from women`s own host wombs through women`s own penis` semen and have Resurrection and Ascension to heaven together, and so Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, as the perfected man.
Otherwise what men will become is an immortal pain in the ass that doesn`t want women; it just wants to live forever. Hollywood, Babylon, is a eunuch system, which was prevalent in the harems of Persia and elsewhere before Islam made it possible for all marriages to contain as many as four wives. Although the eunuch system of Western society seems advantageous to the leading man in the film, in fact the woman has already been castrated by the system, that is, it isn`t a competition between males, but a competition between castrators. Consequently, it`s a `gay scene` because women prefer each other biologically, whereas homosexuals in pederasty and war have their favorites. In slavery to homosexuality everyone is a eunuch, because powerlessness is the aim and objective of the `serpent`s seed` in its extinction of women and women`s `seed`, that is, everyone should be an ass, because everyone is from the homosexuals` perspective. In Satanism women might excrete, so there`d always be plenty of ass, but that`s the function that the `serpent`s seed` of homosexuality in pederasty has planned for women.
Although feminism is the new religion in the United States of America, that is, `political correctness`, men don`t want the content, which is viewed as women`s excretions. Just as the content of literature and movies are deemed excretions in psychoanalytical terms, that is, intrinsically they have no value because the aim of homosexuality in pederasty is to void the material of content. The substance of human endeavor is perceived by the `serpent`s seed` as excrement to be voided. The killer of the civilization, culture and art that women are still able to produce from their host wombs, despite the parasite`s depredations, is celebrated in movies made in Hollywood, Babylon, because the theory being applied is that of Sigmund Freud (1856-1939), who observed that the history of civilization, culture and art was `nothing but` a sign of the repressed penis, which is true, but it`s woman`s penis that`s been repressed. Consequently, civilization, culture and art is what she`s still able to produce in Freudian psychoanalysis. The castrated woman is endeavoring to produce, but her productions are viewed as valueless excretions by homosexuality in pederasty for war, which is why Hollywood, Babylon, makes so many films about her destruction.
Science fiction writer, Robert A. Heinlein (1907-88), was often criticized for his prurient treatment of sexual themes in which he lambasted Sigmund Freud as `Dr Fraud` and used incest as a theme throughout his later works. `If you can dream about your father, I can dream about my daughter. Go ahead, hon; get to the good parts.`2 Brian and Maureen in To Sail Beyond The Sunset (1987), which is a title taken from English poet Alfred Tennyson`s poem, `Ulysees`, the character whose return home from the successful Greek siege of the city of Troy, engage in incestuous relationships almost constantly, because it`s an antidote to the homosexuality in pederasty and war that was ancient Greece:
`... my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.`3
Although it might seem strange to promote incest as an antidote to homosexuality in pederasty and war, because women have effectively had their penis devoured by men of the `serpent`s seed`, incest is the sexual desire of the penisless daughter for the mother, that is, for any woman who is representative of the single human race of woman`s futanarian nature. The seminal work of Greek literature dealing with incest gave its name to Freud`s `Oedipal complex`, which is the psychoanalytical perspective that boys want to replace their fathers in their mothers affections. The dramatist Sophocles` Oedipus Rex (c. 429 B.C.) depiction of the character, Oedipus, who unwittingly kills his father, Laius, and unknowingly marries his mother, Jocasta, to become king of the Egyptian city of Thebes, seems unconnected with the Trojan war, but the capture of the city by the Greek device of deploying a huge hollow wooden horse to hide inside and wait until the Trojans take it into the city where they emerge to enslave the host wombs of the women to spread their contagion of conquest through war further is what Oedipus` story reprises.
Jocasta represents the city of Thebes and Laius is her first siege defeat, that is, to homosexuality and war`s spreading of its parasitism, while Oedipus represents the parasite that always needs the host womb of the human species` mother. Although the incest taboo means that Oedipus self-blinds himself, it`s really because he`s close to the truth, which is that, like Jesus, he represents the woman`s penis. Antigone, his daughter, agrees to guide Oedipus thereafter, which makes Jocasta`s daughter a prisoner of parasitism too. Although the parasite is blind and lame, because `lame brained` by the absence of human `woman`s seed` in its gene pool, and Oedipus` name means `swollen foot`, because it signifies the repressed penis of the futanarian woman endeavoring to build civilization, culture and art from the raw material of parasitism, the parasite would rather stagger on as a devouring ephemeral than seek immortality for its host species by developing medical science and technologies to take it to the planets and stars of heaven.
`Some work of noble note, may yet be done,
Not unbecoming men that strove with gods.`4
God`s Bible was the observation that the serpent was a spy, but the meaning of the narrative is that futanarian human women are heaven for each other, that is, men would be spies, which is why there isn`t a race of women, because after men have spied them out, and fucked them, they eat them, which is why Satan tempts Eve with the apple in paradise. When Eve and Adam begin sexually reproducing as a pair, parasitism will begin, and the process of `woman`s seed` being eaten will occur. When the Twin Towers of the World Trade Center symbolically succumbed to `rough trade` after the Al Qaeda terrorist` hijacked civil airliners crashed into them on September 11, 2001, the `Big Apple` was New York city, and the `serpent`s seed` were eating the core, that is, the Greek Kore of Demeter and Persephone, who were the mother and daughter fertility goddesses of ancient Greek mythology. Demeter was the mother goddess, and Persephone was her daughter, who spent the winter beneath the earth separated from her mother who would reappear again in the spring when the earth would be fertile again. Although the myth seems associated with nature`s abundance during the growing season for vegetation, it`s actually about the separation of `woman`s seed` from woman`s womb, and so 9/11 was a further excursion for the `serpent`s seed` in its devouring of the apple core of Eve`s `seed` pursuing the extinction of human nature.
Although the Egyptians were cast in the role of the villain in the narrative of the Jews escaping slavery there, Ishmael, the son of the Egyptian woman, Hajer, whose lineage founded polygamous Islam, prepared the human futanarian future through the Resurrection and Ascension of `woman`s seed` after Jesus` teaching, `Love your neighbor as you love yourself.` (Mk: 12. 31) Consequently, the Sophocles` Thebes drama, Oedipus Rex, about the Egyptian woman, Jocasta, represents the Egyptian antidote to homosexuality in pederasty and war, which became the model for Western civilization and democracy, where without the race of futanarian women with their own penis` semen, the male brained parasite in transvestism would always vote itself in, that is, the parasite might wear men and women`s clothes, but the vermin remained vermin:
`... if there is one place I'm certain is loaded with 'Black Hat' vermin, it's New York City!`5
In Robert A. Heinlein`s science fiction novel, The Number Of The Beast (1980), the `beast` is an ubiquitous character appearing severally and in many guises as a sophisticated parody of a biblical figure: `Let the person who has insight calculate the number of the beast, for it is the number of a man. That number is 666.` (Rev: 13. 18) Because men and women are 66.6% of the human race, without 33.3% futanarian human `woman`s seed`, they`re the `beast`. Although it looks as if 33% is absent from the equation, 100% of the human race is absent, which means that the human race is 100% beast. Heinlein`s `black beast` in The Number Of The Beast is hermaphroditic, which means that `it` represents the absence of futanarian `woman`s seed` that would have Resurrection and Ascension to heaven if the `serpent`s seed` of men and women weren`t `beastly`. Heinlein`s NOB is based on the premise of alternative universes being accessible to a `continua vehicle`, Gay Deciever, based on the hard science principle of quantum physics` discovery that the particle world behaves differently when humans are looking than when they aren`t. Consequently, the world humans inhabit is an alternative to the worlds humans could inhabit if humans could live in those worlds where the particles behave differently when humans aren`t looking. In NOB all universes exist whether real or imaginary except the universe in which there are women, which is why the `black beast` is present everywhere as the 33% of humanity denied by men and women that could transform the scene, but which is relegated to a peripheral role as the collective shadow of what remains of humanity after the parasite`s taken possession, and its attacks upon the occupants of Heinlein`s `continua car`, that is, the married couples, Jake and Hilda, and Zeb and Deety, represent men`s refusal to allow the futanarian human race of women escape from slavery to the `serpent`s seed`, which includes male futanarians with host wombs of their own. Although there`s an argument for men`s patriarchal system in which male futanarians with their own vaginas as well as penis` semen are shepherding the human futanarian species of `woman`s seed` into heaven, the socio-economic history of men`s parasitism upon the host wombs of women is that of a devourer, which means that the `black beast` in Heinlein is the slaver.
Just as the `Ka` of ancient Egypt represents the spirit of the woman and the `Ka Ba` of Islam represents the `Ka` or spirit of the woman to be conjoined with the `Ba` soul, that is, the Resurrection and Ascension of `woman`s seed` to heaven, so Heinlein`s `continua car` represents her enslavement by men and their male futanarian aspect. Although Jake and Deety furtively engage in incestuous sex as father and daughter involved with other marriage partners, their marriages are already adulterate, because the men represent the `serpent`s seed` in parasitism upon the host wombs of the women. Consequently, it isn`t a sex scene from a parasite`s point of view, which is why Heinlein`s stories have often been criticized for being pedantic and flat. NOB is a description of how parasites read, because the adulteration of the human species of women in parasitism is lame braining, whereas incest is what women don`t do with each other, because they`re a single species and so the opportunities for sexual expressivity is universal and, moreover, unseen by men who`re not their race. Consequently, men`s incest taboo is to deny women the knowledge that sex is possible with women, and to garnish the feast, which isn`t sexual but parasitical, that is, they pedantically explain to their children that they`re to be consumed – later. The Bible describes perdition as hellfire, because it`s consumption by the serpent grown in size to a dragon and devouring humans after wasting their lives in explaining itself to them pedantically as their patriarch. Because Christianity doesn`t preach about `woman`s seed` and teach about raising God`s `foot`, it`s Satanism.
The polygamous harem system that preceded Islam contained eunuchs and women with a man as the slaver, because that`s capitalism. In the traditional tale from One Thousand And One Nights, the 8th century collection of folktales often erroneously titled The Arabian Nights, the framing device is the story of the Indian Mogul Emperor, Shah Jehan, and his wife Mumtaz Mahal, whose tomb is the Taj Mahal (1632-53) in the city of Agra. Shah Jehan has his wife beheaded, after accusing her falsely of unfaithfulness with his brother, and then marries a new wife each day before beheading her each evening. Scheherezade marries Shah Jehan after interesting him in the stories and so saves the women, which isn`t capitalism, but is the reason why death by beheading is a form of `capital punishment` and is the explanation of what capitalism is, that is, the death by beheading of the woman who can`t then sexually reproduce with other women so that men`s socio-economics of enslavement of the host womb of women in parasitism can prevail.
In capitalism everyone is an enslaved headless eunuch, because there isn`t any `woman`s seed` to sexually reproduce enough of her own human futanarian women`s species` brainpower to develop labor saving devices so that women can escape host womb slavery to men`s homosexuality in pederasty and war. Consequently, Islam with its four wife marriages is an antidote to the enslaved headless eunuch system of capitalism, because it affords the possibility of sexual reproduction between women within the family. Moreover, because Christianity celebrates Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, and the `chosen people` of the Jews are `chosen`, because Jews can only be born from women, and so Jews represent the futanarian human race of women, Islam represents the furtherance of Eve`s `seed` since Eden and not an opponent of either Judaism or Christianity. Although `Islam` translates as `to accept`, Moslem means `is accepted`, as `s-l-m` is the etymological root `acceptance`, that is, Moslems in Islam are `woman`s seed`, because they accept it as Jesus` teaching, whose story is also in the Koran as Isa born of the Virgin, Maryam, but he has Ascension to heaven without crucifixion and Resurrection because the New Testament is accepted by Moslems in Islam as a prefiguration of the Resurrection and Ascension to heaven of `woman`s seed`, rather than a recipe for the acceptance of death and torture as a means to gain access to heaven for the torturer and the tortured, which is what capitalism is in the devouring Satanism of capital punishment for the enslaved human futanarian women`s race lame brained and limping to extinction in unconscious ignorance of men`s labeling of her as condemned meat.
Content is the essence of literary criticism. Without content there is no meaning, which is what literature is without `woman`s seed`, although the absence of women from the text of men`s perfidy is palpably enough for the work itself to have value for those who favor humanity in their dealings with people. However, literary criticism that revolves around explications of art that lacks content perpetuates nothing but the critic, who functions as parasitism`s unreflective commentator narrating the exponents of devourment as a sycophant applauding a `snuff movie`, which is that form of entertainment produced as a film record of an actual murder. In movie terminology `canned` is how finished movies are described, because the reels of film are placed in film cans. Consequently, tinned meat, for men who don`t want the content, is what movies are, that is, Hollywood, Babylon, produces a filmed record of an actual murder, which is that of the human futanarian race of `woman`s seed`. Just as literary critics can`t eulogize content that isn`t there, film critics can`t applaud absent content, and so it is that humanity is defeated and the `serpent`s seed` of Satanism has plenty of cans to fill and open before the alien parasite completes its extinction pogrom.
1 Houseman, A. E., A Shropshire Lad, XL, `Into My Heart On Air That Kills`, 1896.
2 Heinlein, Robert A. To Sail Beyond The Sunset, G. P. Putnam`s Sons, 1987, p. 180.
3 Tennyson, Alfred, `Ulysees`, 1833, l. 28-9.
4 Tennyson, Alfred, `Ulysees`, 1833, l. 20-1.
5 Heinlein, Robert A. The Number Of The Beast, G. P. Putnam`s Sons, 1980, p. 93.
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